Posted on April 27th, 2013 No comments
If you’re in the Fort Lauderdale area on Sunday, April 28, swing by the 5-Points Lounge for a very special Tiki fundraiser.
Dubbed the “Sunday Aloha Fun-Raiser”, proceeds from this show put on by Polynesian Proud Productions will benefit Preston Weber, 14 year-old Jr. World FireKnife Champion and Fort Lauderdale local. Preston will be flying out to Hawaii in May to defend his title, and this fundraiser is to help him get there.
The event will feature Polynesian music, live Tahitian drumming of Uhi Api, PolyProud performance, beautiful Hula, RONIN TAIKO (Featuring Marina The Fire Eating Mermaid drumming), special guest performers, $5 Hawaiian Plate Lunch sponsored by the NEW Florida Hawaiian Civic Association, island treats by way of Kauai, from DelaCruz Delights and Onolicious Cakes by Kathleen.
This event is open to the public, and any donations at the door are greatly appreciated. There will also be raffles and prizes, so throw on your best Aloha shirt and swing down to the 5-Points Lounge, 2608 South Federal Hwy, Fort Lauderdale, Fl. There is Free parking in back of building.
5-Points is located at the KREEPY TIKI PLAZA, “Home of South Florida’s only 20ft. Hula Girl landmark”. Kreepy Tiki Tattoo is a very kool place for vintage & Tiki lovers. They are not only kool kats and kittens who ink some very impressive tattoos, they also carry some vintage clothing and goodies, and have Tiki-esque art by local artists including one of my favorites, De Tiki.
PRESTON WEBER has been performing since he was 10 years old at the Mai-Kai in Fort Lauderdale. He won his first Jr. World FireKnife Championship at 11 (2010), then skipped a year to audition for America’s Got Talent where he placed 49th out of 100,000 auditioned acts. Preston won his 2nd Jr World Championship title at 13 (2012). He is now 14 and looking for his third win! Congratulations and best of luck to Preston…break a leg!
-Tiki Chris P, Tiki Lounge Talk
Noir Movie of the Week: “Murder Me, Murder You”, Mickey Spillane’s Mike Hammer starring Stacy Keach, 1983Posted on March 13th, 2013 No comments
It’s in color, made for TV, and from the ’80s…in spite of all that, this flick is a surprisingly well done, gripping movie with Keach playing Hammer truly like his namesake from the book. He pulls no punches, and has no qualms about killing the bad guys.
from 1983 staring Stacy Keach, Tanya Roberts, Don Stroud and Tom Atkins.
The 1980s were not known for the decade’s great Noir movies, and TV murder mysteries of the era were often some of the worst ever made. Consider this flick an exception. With a limited TV budget and Reagan-era censorship, Director Gary Nelson (a seasoned TV & Film director) managed to capture the true essence of Spillane’s style: dark and deadly serious, kept human by a few rays of sarcasm, a few laughs, and some hard liquor.
What makes this movie interesting to people like you and me is that it’s timeless. Mike Hammer is a 1950’s detective, living in the ’80s, driving a ‘66 Mustang and listening to music from the ’40s. He talks, dresses and acts like a Noir gumshoe (including Porkpie hat) while fighting off Punk rockers and spandex-wearing muscle-heads. He carries his army issue .45 (named Betsy, just like in the books) and hangs out in a basement bar that only plays Swing on the Wurlitzer. Yet he’s got modern smarts, and although he runs into trouble with a whiny DA, he doesn’t think twice about beating the pulp out of some scumbags - and always gets away with it.
The Scene: The Art Director and locations manager did a bang-up job picking out “old” looking streets in New York. If it weren’t for the modern cars, this filrm would look like the outdoors were shot in the middle of the century. Don Stroud makes a grew Pat Chambers, Hammer’s friend and connection on the police force. And Tanya Roberts plays a fantastic Velda, sexy and sweet but tough underneath. Her ‘look’ is a lot more ’80s than you might expect, but it works - because Hammer is the only one really pulled from the past.
Ah yes, Hammer. Mike Hammer. Stacy Keach. Big, muscular, and already in his 40s when he shot these movies, Keach plays Hammer closer to the book than any other actor I’ve ever seen, including Spillane himself (No offense, Mickey). He perfectly combines the sarcastic, know-it-all detective with the dark, lonely and murderous killer that lurks beneath. That’s right, killer: In the books, Hammer admits to enjoying killing bad guys. He likes it. He looks forward to it. He admits (to himself) that he’s basically a serial killer who gets off on the thrill of watching someone (who deserves it) die, and found a way to do it legally. He does this very well, without the corniness or silliness that other actors just couldn’t leave alone.
Keach pulls it off like a champ. And the writing, although a little hokey at times (to be expected from an 80s TV movie, I think) really nails the character when it comes down to how Hammer would react to the given situations.
What the movie is about:
Any movie that starts off with two hot chicks getting knocked off the road and crushed and burned to death in their car is going to keep you enthralled. Two female couriers, transporting an important briefcase (contents unknown) are murdered. Mike Hammer is subpoenaed when it turns out his ex-fiance (Chris) is connected to the courier agency (in fact, she is a partner). The big bomb is dropped when it’s revealed that this chick had Hammer’s daughter 19 years earlier. She of course never told him.
Chris dies in the courtroom in Hammer’s arms, and although it looks like a heart attack he knows it’s murder. That’s when the Hammer character from the book kicks in full swing, vowing to avenge her death by killing her killer. He also needs to track down his daughter, and embarks on a journey that takes him through his own past, the pornography business, corrupt businesses and a 1-2 punch ending that will have your head spinning.
Fun stuff: Look for Michelle Phillips (yes, THE Michelle Phillips) and a very young, very sexy Delta Burke with more hair than should be legal on a chick’s head. Also look for Lee Meredith (Ulla from “The Producers”) and Jonathan Banks (that guy who was in a million things and always looked like he was about to fall asleep).
Food & Booze:
This is an easy one. Hammer orders a “Police Special” which, apparently, is a bottle of Jack Daniels in a paper sack. So, yeah. As for food, this a New York movie. Throw together a couple of fat, corned beef sandwiches with slaw and Russian Dressing and a pickle.
Note: The Mike Hammer series and TV movies from the ’80s were great. In the 1990s, Keach revived the series which, I believe, went straight to video. Although still decent, the production value of the later series isn’t as good as the original. Watch the originals first. If you dig them, move on to the 90s episodes.
My Take: Although I was a young teenager when these movies came out, I was already a fan of Spillane, the Hammer novels, and wearing fedoras. Spillane’s writing and Keach’s portrayal of Mike Hammer would highly influence my first works of writing, including my scripts for Stardust Theater in the 90s. Hammer’s character would also influence the main character in my best-selling murder mysteries, “Murder on Tiki Island” and “Murder Behind the Closet Door”: Detective Bill Riggins.
I found a TV trailer from ‘83. This movie is second (around the 1:00 mark). Prepare to go back in time 30 years…
-Tiki Chris reporting from a basement bar with a 1939 Wurlitzer playing “Harlem Nocturn”.
Posted on January 7th, 2013 4 comments
We have Mod Movie Monday and Noir Movie Monday…it’s time to add in Sci-Fi Movie Monday at the Tiki Lounge!
Some the best Sci-fi movies of the 1950s and ’60s were based on books or short stories by the masters: Ray Bradbury, Isaac Asimov, Arthur C. Clarke, etc. This movie was based on Bradbury’s story “The Meteor”. To make it more commercially successful, the name was changed to much more sinister
from 1953, starring Richard Carlson, Barbara Rush, Charles Drake, and co-starring the soon-to-be Professor from Gilligan’s Island, Russell Johnson.
The story is set in present day 1953, in the Arizona desert. Carlson, an “amateur stargazer” as he is called, spots a large meteor crashing into the desert floor. But when he goes to inspect it, he finds that it’s actually some kind of space ship.
This is science fiction literature adapted to screen in the true, mid-century vein, where humanity is examined under the stress of dealing with the unknown. This flick has some fantastic writing, and the special effects are well done for the era, or for any era. Black and white film only adds to the feel. There is mystery, emotion, even some gun-play to keep the kiddies interested, and a kick-ass Theramin score by a very young Henry Mancini.
It Came from Outer Space was also Universal Studio’s first 3-D movie, and if you can find a copy of it in 3-D, it’s worth it. But it stands great as 2-D just as well.
For the drinks, how about an Alien Brain Hemorrhage?
Fill a shot glass half way with peach schnapps. Gently pour Bailey’s Irish Cream on top. After the shot is almost full, carefully add a small amount of blue curacao. After it settles, add a small splash (or a few drops) of grenadine syrup, and watch it turn into something pretty icky looking.
As for dinner, how about a little Arizona Tex Mex Meatloaf, Betty Crocker style?
1 1/2 lb extra-lean ground beef
1 can (10 oz) diced tomatoes and green chilies, undrained
2 medium eggs
1/4 cup plain bread crumbs
1 teaspoon garlic-and-herb seasoning
1 teaspoon chili powder
1 teaspoon ground cumin
1/4 teaspoon salt
1/4 teaspoon black pepper
Shredded Cheddar, Monterey Jack or similar cheese (mixing is great too!)
• 1 Heat oven to 375ºF. In large bowl, mix all ingredients except salsa. Spoon mixture into 11×7-inch (2-quart) glass baking dish; pat into 9×5-inch loaf.
• 2 Bake uncovered about 1 hour or until meat thermometer inserted in center reads just below 160ºF. Sprinkle shredded cheese on top (as much as you want) and continue backing until cheese is melted and internal temp is 160° Drain any liquid before slicing. Serve with ships and salsa. Olé!
Below is the original trailer:
Happy Watching, and don’t forget your tinfoil hat.
- Tiki Chris, reporting from the screening room at Pirate’s Cove Tiki Lounge
Posted on December 4th, 2012 No comments
Starring Kirk Douglass, Burt Lancaster, Eli Wallach, Charles Durning, Alexis Smith, and Dana Carvey.
It’s a great concept: Two big-time bank robbers (Douglass and Lancaster) get busted robbing a train in 1956, and serve a 30 year stretch for their trouble. They get out in 1986…at the ages of 68 and 72, but it tip-top shape. (This is attributed to years of being…you guessed it, tough guys in prison). They’ve been totally disconnected from modern life, and once paroled the have to try to adjust to a 1980’s world of wimpy street gangs, rap music, strange fashions, and the “old neighborhood” not being what it used to be.
If life on the outside ain’t bad enough, they’re hounded by the cop who busted them in ‘56 (Durning) and are followed relentlessly by a hit-man bent on fulfilling a 30-year old contract (Wallach). In between crappy jobs and bad rest home grub, they manage to score a couple of broads…and with the help of their P.O. (Carvey), even try their hand at a few jobs they’re good at…
It’s not the most well produced film (it’s filmed in that kind of “flat” style that was too common in the 1980s, with no real “style”) but the acting is top notch, and watching these two old time tough guys act like they’re 30 years old again is great. There’s even a small part by Billy Barty (no pun intended).
Irony: One of Eli Wallach’s lines, is that if he gets locked up while trying to kill Lancaster and Douglass’ characters, that he’ll wait another 30 years and come after them again. It’s funny, because at their ages there’s no way they’d last that long.
Well…as it turns out, it’s been 26 years since the movie came out, and although we said goodbye to Burt Lancaster in 1994, Kirk Douglass is still kickin’…at the age of 96, Durning is still going at 79, and Eli Wallach…according to IMDB…is still ready to pull that hit at the rip old age of 95.
Maybe it’s time for a Tough Guys 2?
BTW: For our “younger” readers, dig this: Dana Carvey is 57. Yeah.
Here’s the trailer…
-Tiki Chris P. reporting from Cell Block 8
Posted on November 26th, 2012 No comments
“2-2-Twain”. It’s puns galore in Niel Simon’s hilarious spoof of just about every murder mystery detective of the mid-20th century, the movie that uses more old-time gags and goofy plot devices than a thief has disguises…
Starring David Niven, Truman Capote, Eileen Brennan, Peter Falk, James Coco, Alec Guinness, Elsa Lanchester, Peter Sellers, Maggie Smith, Estelle Winwood, James Cromwell, Richard Narita, and Nancy Walker. (Whew! That’s a lot of stars!)
There’s no way to tell you much about the storyline without giving it all away…so I’ll give you the basics. Lionel Twain (Capote) invites each of the most famous mystery detectives of all time to “Dinner and a Murder”. With slightly-off names like Sam Diamond and Jessica Marbles, the guests reluctantly come to Twian’s mansion (address: 22 Twain), and are soon treated to exactly what they were invited for…dinner, served by the blind butler (Guinness), and a murder. Yes, Obe Wan is a blind butler, aided by the deaf made (played by Nancy “Rosie” Walker). It’s all about devices.
The lights go out. Someone is stabbed in the back. Rooms change. The moose on the wall talks. People’s clothes disappear. There is thunder and lightning, the bridge is out, and everyone is a suspect. It’s up to the spoofish detectives to overcome their goofy lines and solve the mystery before it’s too late…but will they? Yes, they will. Or will they?
Directed by Robert Moore in a 1940’s Noir style (although it’s in color, which was probably also meant as a joke), Murder by Death is packed full of just about every cliché possible, from the “Milo Perrier” character (aka Poirot) mixing up English and French words:
Marcel: Something isn’t right in all of this, eh. I can feel it in my buns.
Inspector Milo Perrier: Your what?
Marcel: My buns.
Inspector Milo Perrier: Buns? Your buns? You bought buns and you didn’t tell me? Where are they? Where are the buns?
Marcel: Oh! No, monsieur. The BONES in my body.
Inspector Milo Perrier: You should not speak with an accent when you know I am so hungry.
Tess Skeffington: There’s nothing on him ’til ‘46, when he was picked up in El Paso, Texas, for trying to smuggle a truckload of rich white Americans across the border into Mexico to pick melons.
Sam Diamond : I think we picked ourselves a queer bird, angel.
Because it’s by one of our favorite cats, Niel Simon, the writing is incredibly rich and intelligent, in spite of the crazy wandering and goofy puns. Just when you think the mystery is solved, something else comes along to throw the “Twain” off the tracks (sorry, couldn’t resist). There are more twists than a bag of Twizzlers. All this, plus the fantastic performances from some of old Hollywood’s brightest stars, makes Murder By Death a fun movie to watch any time.
Food & Booze: This is a grand dinner, so go all out - roast turkey, baked ham, the works. Or, serve invisible soup (you’ll see). Vintage cocktails are in order: Martinis, Manhattans, and straight whiskey.
My Take: I first saw this movie in the mid 1980s, then again in the early 1990s. It’s part of what made me decide to start my own murder mystery comedy dinner theater, and to later write Noir murder mystery novels. Even though it’s a spoof, I rank it up there with The Maltese Falcon, The Big Sleep, and Murder on the Orient Express.
-Tiki Chris, reporting from the other dining room at Tiki Lounge Talk.