Posted on April 27th, 2013 No comments
If you’re in the Fort Lauderdale area on Sunday, April 28, swing by the 5-Points Lounge for a very special Tiki fundraiser.
Dubbed the “Sunday Aloha Fun-Raiser”, proceeds from this show put on by Polynesian Proud Productions will benefit Preston Weber, 14 year-old Jr. World FireKnife Champion and Fort Lauderdale local. Preston will be flying out to Hawaii in May to defend his title, and this fundraiser is to help him get there.
The event will feature Polynesian music, live Tahitian drumming of Uhi Api, PolyProud performance, beautiful Hula, RONIN TAIKO (Featuring Marina The Fire Eating Mermaid drumming), special guest performers, $5 Hawaiian Plate Lunch sponsored by the NEW Florida Hawaiian Civic Association, island treats by way of Kauai, from DelaCruz Delights and Onolicious Cakes by Kathleen.
This event is open to the public, and any donations at the door are greatly appreciated. There will also be raffles and prizes, so throw on your best Aloha shirt and swing down to the 5-Points Lounge, 2608 South Federal Hwy, Fort Lauderdale, Fl. There is Free parking in back of building.
5-Points is located at the KREEPY TIKI PLAZA, “Home of South Florida’s only 20ft. Hula Girl landmark”. Kreepy Tiki Tattoo is a very kool place for vintage & Tiki lovers. They are not only kool kats and kittens who ink some very impressive tattoos, they also carry some vintage clothing and goodies, and have Tiki-esque art by local artists including one of my favorites, De Tiki.
PRESTON WEBER has been performing since he was 10 years old at the Mai-Kai in Fort Lauderdale. He won his first Jr. World FireKnife Championship at 11 (2010), then skipped a year to audition for America’s Got Talent where he placed 49th out of 100,000 auditioned acts. Preston won his 2nd Jr World Championship title at 13 (2012). He is now 14 and looking for his third win! Congratulations and best of luck to Preston…break a leg!
-Tiki Chris P, Tiki Lounge Talk
Posted on December 4th, 2012 No comments
Starring Kirk Douglass, Burt Lancaster, Eli Wallach, Charles Durning, Alexis Smith, and Dana Carvey.
It’s a great concept: Two big-time bank robbers (Douglass and Lancaster) get busted robbing a train in 1956, and serve a 30 year stretch for their trouble. They get out in 1986…at the ages of 68 and 72, but it tip-top shape. (This is attributed to years of being…you guessed it, tough guys in prison). They’ve been totally disconnected from modern life, and once paroled the have to try to adjust to a 1980’s world of wimpy street gangs, rap music, strange fashions, and the “old neighborhood” not being what it used to be.
If life on the outside ain’t bad enough, they’re hounded by the cop who busted them in ’56 (Durning) and are followed relentlessly by a hit-man bent on fulfilling a 30-year old contract (Wallach). In between crappy jobs and bad rest home grub, they manage to score a couple of broads…and with the help of their P.O. (Carvey), even try their hand at a few jobs they’re good at…
It’s not the most well produced film (it’s filmed in that kind of “flat” style that was too common in the 1980s, with no real “style”) but the acting is top notch, and watching these two old time tough guys act like they’re 30 years old again is great. There’s even a small part by Billy Barty (no pun intended).
Irony: One of Eli Wallach’s lines, is that if he gets locked up while trying to kill Lancaster and Douglass’ characters, that he’ll wait another 30 years and come after them again. It’s funny, because at their ages there’s no way they’d last that long.
Well…as it turns out, it’s been 26 years since the movie came out, and although we said goodbye to Burt Lancaster in 1994, Kirk Douglass is still kickin’…at the age of 96, Durning is still going at 79, and Eli Wallach…according to IMDB…is still ready to pull that hit at the rip old age of 95.
Maybe it’s time for a Tough Guys 2?
BTW: For our “younger” readers, dig this: Dana Carvey is 57. Yeah.
Here’s the trailer…
-Tiki Chris P. reporting from Cell Block 8
Posted on November 26th, 2012 No comments
“2-2-Twain”. It’s puns galore in Niel Simon’s hilarious spoof of just about every murder mystery detective of the mid-20th century, the movie that uses more old-time gags and goofy plot devices than a thief has disguises…
Starring David Niven, Truman Capote, Eileen Brennan, Peter Falk, James Coco, Alec Guinness, Elsa Lanchester, Peter Sellers, Maggie Smith, Estelle Winwood, James Cromwell, Richard Narita, and Nancy Walker. (Whew! That’s a lot of stars!)
There’s no way to tell you much about the storyline without giving it all away…so I’ll give you the basics. Lionel Twain (Capote) invites each of the most famous mystery detectives of all time to “Dinner and a Murder”. With slightly-off names like Sam Diamond and Jessica Marbles, the guests reluctantly come to Twian’s mansion (address: 22 Twain), and are soon treated to exactly what they were invited for…dinner, served by the blind butler (Guinness), and a murder. Yes, Obe Wan is a blind butler, aided by the deaf made (played by Nancy “Rosie” Walker). It’s all about devices.
The lights go out. Someone is stabbed in the back. Rooms change. The moose on the wall talks. People’s clothes disappear. There is thunder and lightning, the bridge is out, and everyone is a suspect. It’s up to the spoofish detectives to overcome their goofy lines and solve the mystery before it’s too late…but will they? Yes, they will. Or will they?
Directed by Robert Moore in a 1940’s Noir style (although it’s in color, which was probably also meant as a joke), Murder by Death is packed full of just about every cliché possible, from the “Milo Perrier” character (aka Poirot) mixing up English and French words:
Marcel: Something isn’t right in all of this, eh. I can feel it in my buns.
Inspector Milo Perrier: Your what?
Marcel: My buns.
Inspector Milo Perrier: Buns? Your buns? You bought buns and you didn’t tell me? Where are they? Where are the buns?
Marcel: Oh! No, monsieur. The BONES in my body.
Inspector Milo Perrier: You should not speak with an accent when you know I am so hungry.
Tess Skeffington: There’s nothing on him ’til ’46, when he was picked up in El Paso, Texas, for trying to smuggle a truckload of rich white Americans across the border into Mexico to pick melons.
Sam Diamond : I think we picked ourselves a queer bird, angel.
Because it’s by one of our favorite cats, Niel Simon, the writing is incredibly rich and intelligent, in spite of the crazy wandering and goofy puns. Just when you think the mystery is solved, something else comes along to throw the “Twain” off the tracks (sorry, couldn’t resist). There are more twists than a bag of Twizzlers. All this, plus the fantastic performances from some of old Hollywood’s brightest stars, makes Murder By Death a fun movie to watch any time.
Food & Booze: This is a grand dinner, so go all out – roast turkey, baked ham, the works. Or, serve invisible soup (you’ll see). Vintage cocktails are in order: Martinis, Manhattans, and straight whiskey.
My Take: I first saw this movie in the mid 1980s, then again in the early 1990s. It’s part of what made me decide to start my own murder mystery comedy dinner theater, and to later write Noir murder mystery novels. Even though it’s a spoof, I rank it up there with The Maltese Falcon, The Big Sleep, and Murder on the Orient Express.
-Tiki Chris, reporting from the other dining room at Tiki Lounge Talk.
Posted on September 10th, 2012 No comments
This week we venture into the slightly disturbing yet engaging mind of Stanley Kubrick, with his first independent film,
Starring James Mason, Shelly Winters, Peter Sellers and Sue Lyon.
For those of you who don’t know the original story of Lolita, it was a book about a middle-aged man who fell in love with a sexually active 12 year old girl. The censors insisted on making the movie slightly less creepy by increasing the girl’s age to 14…and Kubrick took off with it.
Kubrick scrapped much of the book (and a screenplay written by the book’s author) to make his own brand of dark comedy, a movie fun and disturbing at the same time. He masterfully turns each scene, making the viewer sympathize with Professor Humbert (Mason) just long enough to then realize he is basically a starstruck pedophile. By the end of the flick you don’t know what’s right, what’s wrong, or how to feel. It’s a groovy scene, man.
Consider this flick, which goes pretty far in suggesting Professor Humbert is sleeping with Lolita, was released in 1962. This was the same era when absolutely zero cursing, nudity or realistic gore was allowed in American movies. This was the era when Rock ‘n’ Roll music was still considered “devil music” and Chuck Berry was in jail for transporting an underage girl across state lines.
The plot is simple…Humbert, a British literature professor, takes up residence in a quaint New Hampshire house run by Charlotte Haze (Winters). At first he doesn’t want to take the room…until he sees Charlotte’s daughter, Lolita. We assume he probably doesn’t realize at first how young she is, considering she looks like she’s about 20 and acts as sleazily flirtatious as an experienced stripper. This sets up the audience to accept the blooming relationship, at least on some level, as one of a guy in his 40s with a chick in her 20s (perfectly acceptable, right?). Then Kubrick slams us over the head with scenes that very definitely show us her true age, and our brains go swimming with idea of a grown man cheating on his wife with his 14 year old stepdaughter. In a sort of a dark, funny way, of course. Eh, yeah.
The movie moves from a sordid fantasy to a sordid affair, to a journey across America for the stepfather and stepdaughter on the run from themselves and others. I won’t give anymore than that away, you’ll have to watch the flick for yourself to get the details.
Keep in mind this movie was made under the probing eyes of strict mid-century censors. It’s almost unbelievable that the flick passed ANY censorship, considering its context. I suppose calling it a “dark comedy” helped, but even with Peter Sellers in the movie you won’t find too many “laugh out loud” moments. It’s more like “it’s funny because it’s so far out and so damned uncomfortable”, IMHO.
You also won’t find as much symbolism in the movie as you will in later Kubrick films. There is some, no doubt, but I’m guessing he was having a hard enough time getting the movie made without getting arrested without having to figure out two hours of symbolism.
Trivia: Carry Grant turned down the Humbert role “in indignation”. Haley Mills turned down the roll of Lolita…probably under the direction of Walt Disney. Over 800 girls auditioned for the roll of Lolita…proving that plenty of young actresses and their stage Moms were A-OK with this controversial role.
Food & Booze: Just booze. The hard stuff. You’ll need it watching this flick.
Sue Lyon: Went on to make a few more movies, including Night of the Iguana in 1964 and Tony Rome in 1967. Her last movie was Alligator (yes, the one with the giant alligator in the sewers) in 1980 where she had a small part as a newswomen. She retired after that and, at the time of this posting, she’s 66 years old. Yep.
Here’s the Mod Movie Trailer for Lolita:
-Tiki Chris reporting from a seedy motel where the clerk doesn’t check ID, for Tiki Lounge Talk
Posted on July 9th, 2012 No comments
Marty, from 1955
When a movie wins best Actor in a Leading Role (Borgnine), Best Director (Delbert Mann), Best Writing, Screenplay (Paddy Chayefsky) and Best Picture, you know it’s got to be good. Damned good. So it is with Marty. Marty is an Italian New York City (Bronx) butcher, who at 34 years old has not yet tied the knot. In fact. looking 20 years older, he doesn’t have much luck with any dames. He lives his life day to day, trying to be a nice guy and an all around good person. And he is…but nice guys finish last, don’t they?
Marty is constantly hounded by his family to get married. Trouble is, he can’t even manage to hold a girl’s attention for more than five minutes. Then along comes Clara, an average-looking schoolteacher who’s not the flashy-trashy chicks that seems to be swinging off the trees. They connect…but can they make it work?
Marty is a great mid-50s slice of life story, with fantastic performances by Borgnine, Jerry Paris and Betsy Blair. It’s part Noir, part love story and part comedy, with the fun coming from the daily lives of the characters and how they interact, not from cheesy one-liners or puns. One of my favorite scenes is when Marty and his buddy are trying to figure out what to do that night. “Let’s call Mary Feeney…”
Food: Since Marty is a butcher, it only makes sense to have some meat. Here’s and easy pot roast recipe that’s been a standard in my family for 50+ years.
5-8 lb Chuck or Bottom Round Roast
Fresh Carrots, Celery, Potatoes, Onions, string beans
Canned or frozen peas, corn
Lipton Onion Soup Mix
Salt, Pepper, Garlic Powder, Oregano, Bay Leaves
Sprinkle salt and pepper on the roast. In a large pot, sear the beef on high heat in a tablespoon of oil, turning until each side is brown. Add one large onion, potatoes, carrots, and celery (all diced into large chunks) and string beans, one can corn and one can peas (with water), and one cup of water. Bring to boil. Separately, dissolve bouillon cube and onion soup mix in one cup cold water. Add on teaspoon each of salt, pepper, garlic powder, and oregano. Pour into pot and bring to boil. Add 2-3 bay leaves. Once at full boil, reduce to simmer, stir and cover. Add another cup of water and let simmer for about 20 minutes. Taste broth; add more water as needed and seasoning to taste. Allow roast to simmer (low) covered for at least two hours. Roast is done when it is tender enough to pull apart with a fork.
Gravy: Remove two cups of broth, add one bouillon cube and bring to boil. Reduce heat and whisk in flour one tablespoon at a time, allowing to thicken a few minutes between additions. Thicken and add seasoning to taste. I like mine peppery.
Booze: Schlitz Beer, or Chianti wine, the kind that comes wrapped in a basket weave.
Here’s the trailer…